Controversial street artist KATSU’s spring show at The Hole in New York City placed drones in art. In the exhibition titled KATSU: Remembering the Future (January 8 – February 22, 2015) the artist juxtaposed the strange flying phenomena with art history and the kitsch figurine to stir conversations about what the future might hold for the much-anticipated drone takeover.
Above Image: KATSU, Ceramic drone swarm (detail) 2014-2015, with Vape sculpture, 2015
In a series of paintings, KATSU used a remote control drone to spray paint onto the canvases. The result is a sort-of 21st century Jackson Pollock, but more of a one-liner than revolutionary art. The video of the process is very cool and the resulting series of paintings are an interesting result of the experiment. A series of nine paintings titled Marilyn is a reference to Andy Warhol’s work of the same name, embracing the imperfections of the art making process.
In the back of the gallery is a grouping of small ceramic drones that are suspended from the ceiling. All the drones are level, not tilted, suggesting they are silently hovering in place. A mysterious burst of fog falls over the swarm every few minutes, allowing them to linger in a cloud before it disperses throughout the gallery. The installation is like a kitsch store display turning the modern devices into collectables, something idyllic, desired, and collected by your grandmother. It’s KATSU’s subtle way of peeking into a strange future of elderly millennials.
Justin Crowe is a Writer and Director of Operations at CFile.
Any thoughts about KATSU’s ceramic art drone sculpture? Tell us what you think in the comment box below!
Thomas Koole
the idea has promise; the artifact is banal at best