LOS ANGELES — Mark Moore Gallery is currently showing Nomad, Israeli-born artist Zemer Peled’s first solo exhibition in LA (September 10 – October 29). Featuring large-scale sculptures and smaller objects, the exhibition highlights Peled’s labor-intensive process that bridges narrative and formalist elements. Peled utilizes a process of creation and destruction to make sculptures consisting of thousands of handcrafted porcelain shards, resulting in works that can be read in relation to art historical tradition, outsider art, and natural phenomena.
The sculpture’s narrative impulses lean to encounters with the otherworldly—like complex topiaries marking a not-so-distant land— yet they remain distinctly tied to earth’s patterns. This conflation of the foreign and familiar creates a frenzied dislocation in the work. Inspired by migratory habits of birds, a sweep of feathers, and cycles of change, the works spiral outwardly in rhythmic patterns, interpreting not only the dynamism of nature, but also the startling strangeness of a life lived in transition.
Using white and colored porcelain, Peled transforms sharp slivers of shards into feathers, petals, leaves, and spines that describe objects of unknowable origins: seductive but untrustworthy. The forms are complexly ordered from the inside out, often bulging or spilling over with textures both delicate and severe. In some works, large scale-like ceramic pieces appear airy, delicate, and fluffy, as if one’s breath might break it. In others, Peled’s fragments are geometric barbs that mysteriously take on an alluring form – offering a sense of softness despite a sharp actuality. The forms are never static; the visual dance of sharp ceramic parts conveys a sense of constant movement. Like a murmuration of starlings, the sculptures appear to shift shapes as you move around them, an identity becoming and unbecoming in front of you.
The act of making for Peled is a feat of endurance, improvisation, and adaptation with the aim to embody a fleeting but fundamental feeling of mystery. The construction of her sculpture parallels negotiations any outsider makes in encountering a new world as they delicately construct a self that is both adaptable and resilient.
Peled (b. 1983) was born and raised in a Kibbutz in the northern part of Israel. After completing her BFA from the Bezalel Academy of Art and Design (Jerusalem), she earned her MA at the Royal College of Art (UK). In recent years, her work has been exhibited internationally, including such venues as Sotheby’s and Saatchi Gallery (London), Eretz Israel Museum (Tel Aviv), and the Orangerie du Senate (Paris), among others. The artist currently lives and works in Long Beach, CA.
Text (edited) and images courtesy of Mark Moore Gallery.
Do you love or loathe these works of contemporary ceramic art? Let us know in the comments.
Eileen G
Size and scale really does matter , and makes this body of work even more amazing. Adding the dimensions would be helpful, but actually seeing some of them is more powerful. Thanks for highlighting these.
Tony Marsh
As was the case with Ruby Neri, so too did Zemer make the work in this exhibition at the studios of CSULBCeramicarts, Long Beach CA.
Zemer & Ruby were concurrently in residence with us creating bodies of work for exhibition.
susan vogel
i love your website and all its parts and these are wonderful sculptures — but that is not evident until one guesses that they are quite large. no dimensions are given in the captions and there is no obvious scale in the installation photos (such as a person). this is a recurring problem in your articles and reviews — such as the one on Neri in this same batch. her works are much larger and more interesting than i thought before seeing the one installation photo showing a person..
ceramics are getting larger — that’s interesting! and size always matters. please include it in future reviews — i read them all!