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<br /> <b>Notice</b>: dsiht:1$content="Reborn" by Chinese designer Lin Wei-Teng brings together two materials that one assumes would oppose each other. Here, the designer suspends plaster-molded porcelain volumes within steel wire frame structures. The rigid, linear steel structures support the fragile porcelain components while taking on a ghostly suggestion of larger containers surrounding the vases. The porcelain forms are typically Eastern; the wire vase and urn forms are clearly Western. The wire boundaries create an implied space, this phantom volume subtlety contrasts the porcelain form. Dualities aside: a thrown pot was once a spinning form and carries with it that flinging, emanating movement and that moment in its history, while not seen, is felt. <a href="http://www.designboom.com/design/reborn-between-orient-and-occident/" target="_blank">Read more about the project at Designboom</a> Above image: Reborn by Lin Wei-Teng, porcelain and stainless steel. <img src=" in <b>/var/www/cfileonline.org/public_html/wp-includes/shortcodes.php</b> on line <b>398</b><br /> <br /> <b>Notice</b>: dsiht:1$ignore_html=1 in <b>/var/www/cfileonline.org/public_html/wp-includes/shortcodes.php</b> on line <b>399</b><br /> <br /> <b>Notice</b>: dsiht:1$tagnames=Array ( [1] => caption ) in <b>/var/www/cfileonline.org/public_html/wp-includes/shortcodes.php</b> on line <b>400</b><br /> <br /> <b>Notice</b>: dsiht:2$textarr=Array ( [0] => "Reborn" by Chinese designer Lin Wei-Teng brings together two materials that one assumes would oppose each other. Here, the designer suspends plaster-molded porcelain volumes within steel wire frame structures. The rigid, linear steel structures support the fragile porcelain components while taking on a ghostly suggestion of larger containers surrounding the vases. The porcelain forms are typically Eastern; the wire vase and urn forms are clearly Western. The wire boundaries create an implied space, this phantom volume subtlety contrasts the porcelain form. Dualities aside: a thrown pot was once a spinning form and carries with it that flinging, emanating movement and that moment in its history, while not seen, is felt. [1] => <a href="http://www.designboom.com/design/reborn-between-orient-and-occident/" target="_blank"> [2] => Read more about the project at Designboom [3] => </a> [4] => Above in <b>/var/www/cfileonline.org/public_html/wp-includes/shortcodes.php</b> on line <b>408</b><br /> <br /> <b>Notice</b>: dsiht:9$content="Reborn" by Chinese designer Lin Wei-Teng brings together two materials that one assumes would oppose each other. Here, the designer suspends plaster-molded porcelain volumes within steel wire frame structures. The rigid, linear steel structures support the fragile porcelain components while taking on a ghostly suggestion of larger containers surrounding the vases. The porcelain forms are typically Eastern; the wire vase and urn forms are clearly Western. The wire boundaries create an implied space, this phantom volume subtlety contrasts the porcelain form. Dualities aside: a thrown pot was once a spinning form and carries with it that flinging, emanating movement and that moment in its history, while not seen, is felt. <a href="http://www.designboom.com/design/reborn-between-orient-and-occident/" target="_blank">Read more about the project at Designboom</a> Above image: Reborn by Lin Wei-Teng, porcelain and stainless steel. <img src=" in <b>/var/www/cfileonline.org/public_html/wp-includes/shortcodes.php</b> on line <b>492</b><br /> Design | Ceramics and Steel: Lin Wei-Teng | CFile - Contemporary Ceramic Art + Design
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